Technical and creative work, shaped by both.
My background spans engineering, data and visual production. Today, I bring those perspectives together to create work that is clear, carefully made and grounded in the subject.
It all started with a camera,
some Lego and a lot of patience.
I started making stop-motion films when I was twelve, building sets from Lego and moving characters one frame at a time. What began as a hobby gradually became years of practice in animation, cinematography, editing and visual storytelling — along with hundreds of videos and a YouTube channel.
I later studied for a bachelor's degree in Energy Engineering and a master's degree in Industrial Engineering, followed by a PhD focused on geospatial modelling. My research explored the potential for solar photovoltaics in urban environments using LiDAR, satellite imagery and machine learning, alongside technical visualisations to communicate the results.
That work led me to co-found a software and data consultancy startup with several colleagues. I spent more than six years developing its core products, learning through practice how to turn technical research into tools that had to work for both clients and the business.
In parallel, I kept making space for visual work and personal curiosity. Over the years, I worked as a freelance editorial illustrator, created animations and data visualisations, built an ecommerce poster brand and continued developing personal projects alongside the technical work.
Then 3D became the point where many of those threads started to converge: engineering, code, spatial thinking, cinematography, motion, light and interaction. That intersection is where I do my best work today.
Technical and visual,
considered together.
I bring technical and visual thinking into the same process, keeping decisions grounded in the subject, the audience and the purpose of the project.
Understand the subject
I work with the available documentation, references and data to identify what matters and what the audience needs to see — keeping the result clear without losing accuracy.
Keep the process connected
When several disciplines overlap, I carry the context from one stage to the next so decisions remain connected as the work develops.
Make visual choices with purpose
Composition, lighting, movement and pacing shape how information is understood. I use them deliberately, without making the work more elaborate than necessary.
Work directly and communicate clearly
I stay involved from the first conversation to final delivery, sharing progress at meaningful checkpoints and raising constraints early so we can resolve them together.
Ready to make
something remarkable?
Available for selected projects — 3D production, editorial, data visualisation, and interactive storytelling.